Paniolo — Hawaiian Cowboy


Well, I just finished writing this whole post a few minutes ago, and somehow deleted it! Now I have to start again…DAMN! Sometimes I hate computers!
Anyways, I want to thank the wonderful girls who left me some great feedback. I took your advice and now I have a painting that I’m pretty happy with!
I lengthened the mane and tail, and made them fly out, adding to the sense of movement. I definitely feel like this makes it far less static. I spaced out the back legs slightly, defined them, and added a longer shadow. This, along with the longer tail, balances the painting out and makes the horse more grounded. I took away most of the dust behind the horse, and added some color to the dust in front. I defined some of the background shadows, and values, and evened out the color in the mountains.
All in all, I feel pretty happy with it now. Of course, there’s still things I don’t really like, but don’t know how to change, or if they need it. Artists are their own worst critics! But, if anyone sees something that still might need help, let me know. I, unlike most, love constructive criticism!

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Fresh off the Easel


It’s finally done…I think. I’m not quite sure I’m satisfied, but I don’t really know where else to go with this one. I’ve done so much to it already, that I should have planned in the beginning for. If anyone’s wondering if it’s really worth while to do those thumbnail sketches…IT IS!! I only did one, that I was pretty happy with, but, it didn’t work when translated to this big canvas. It used to have three mid-ground figures, and a background guy on a horse, and a guy leaning against a horse in the far background. I decided it was too busy, and after many attempts at just trying to FIX everything to make it look like it was supposed to be there, I systematically began eliminating things, until there was nothing left to eliminate. This would all have been much easier to do before the painting was near completion…with the thumbnails…but once again, my initial enthusiasm for the subject overtook my logic, and I dove right in without proper planning. NEVER AGAIN! This one was so hard.
I want to put this one out for critique. I desperately need input from other artists, so if anyone thinks this painting needs some help, or could use something else, please drop me a line. I would appreciate it so much. Like I said, I’m not really sure if it’s done or not, so let me know what you think. It also needs a title. “Fresh off the Easel” just isn’t going to cut it.
I really want to thank Eduardo Amorim, the amazing photographer whose photo was the inspiration for this shot. Check out his work at Flickr by clicking on his name.